Putting the Period in Period Drama

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I have been obsessed with period dramas recently. British period dramas (though that might be a bit redundant. Can something be a bit redundant? Hmm).

I have absolutely no idea why. I’m not a person with a shiny nostalgia for the days long past. I know well enough–mostly from watching period dramas, I guess–that not everyone was the lady in the fancy clothes imported from France. And even she had her constraints, not the least of which was her corset.

But still, there’s something about them, something about opening a television-sized window into the past, thinking about the day-to-day lives of people from a hundred years ago as people, not as hazy lines of paint in the works of the impressionists.

It’s a way of remembering that, all the way along, people have simply been people. They were not bustles or feather-and-ribbon-laden hats. They were not horse-drawn carriages or cobbled streets.

They were simply people. As are we.

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