#MondayThoughts: Into the new

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Here it is, January 2, 2023. What a strange date to look at, it sounds so far in the future, but here we are. In it.

On New Year’s Eve, I spent the evening with a friend and her young daughters, and honestly it was one of the best new year’s I’ve had, even back to to the days when I’d stand shivering outside to get into a packed place for a night of revelry which never lived up to the hype.

I showed the girls how to make pizza dough, and they watched, rapt. They took turns kneading, and eventually, even in their small hands, the dough turned smooth and glutinous. Their mom hadn’t made pizza before either, given she’s gluten-free, and trying a gluten-free crust (Bob’s Red Mill) was an adventure.

We spread our crust, and topped it, and she did the same.

“Can you smell it?” I asked them when it was nearly finished. “You bake by smell.”

And they were amazed when it came out of the oven, they devoured it, this miracle they’d made. The gluten-free came out well too, even though my friend forgot to blind bake it. It’s sticky, though, to work with. Lots of oil on the hands; lots of cooking spray on the plastic wrap used to spread it, if you try it.

Then we made party hats from a monster hat kit I got on Amazon (affiliate link) which they utterly loved, we had dessert, which I made, gluten free chocolate brownie cookies and a pudding bar with homemade vanilla pudding. We watched Dolly and Miley and a local show with an opening I have to embed because it was amazing.

I’m sure there will be more new year thoughts in our chat tomorrow with Chat Tuesday, so I’ll leave it there with that wonderful, cheesy, entirely entertaining performance. Have a great Monday and Happy New Year to you.

Check out  my full-length novels: 
Aunty Ida’s Full-Service Mental Institution (by Invitation Only)   
Aunty Ida’s Holey Amazing Sleeping Preparation (Not Doctor Recommended) 
Her Cousin Much Removed
The Great Paradox and the Innies and Outies of Time Management.
And download Better Living Through GRAVY and Other Oddities, it’s quick and weird and FREE!
Peruse Montraps Publishing
See what I’m writing on Medium.

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#FridayThoughts: #HappyNewYear! Once again, “In with the Old”

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It’s that time again, which I’m really struggling to believe. It’s been a rough year for me and so many other people, but on we bravely go into the next one, with the eternal hope that it holds wonderful, happy, good, healthy things. Thank you for spending your time with me this year.

It’s funny, once again the numbers in the story don’t match, but hey, it’s fiction, right?

And, in what is now firmly a tradition, here is a short story from my collection, Better Living Through Gravy and Other Oddities:

In with the Old

“It’s nothing personal,” she said as kindly as she could muster, “it’s just time.”

“But I’m not nearly as used up as they said I would be,” the other one said, “not nearly at all. I’m not wrinkly, or old – I’m kind of in prime time.” She gave herself an once-over, careful not to break her bond with the contraption behind her.

“Unfortunately, we really need the machine.” She sighed and tapped her pen on her clipboard. “We only have a few more hours.”

“We?” said the woman in the machine. “We only have a few more hours? You’re going to install that thing,” she gestured with her head toward the giggling baby making faces at the man in the white coat at the other end of the room, “and go on with your routine. You think don’t have it down by now? Daily dial turnings, just one click. Then you, with that pretend-serious look, yanking that lever. You think I didn’t notice you enjoy those lever pulls? Well I did. And you do.”

“Now come on, Wanda, there’s no need to be this way. You can go out with dignity.” She shot a look across the room to her coworker. He was too enthralled with the baby to get her message for a little help.

“What am I supposed to do now? I was huge, I was everything.”

“You’re sounding like a bad movie.”

“They don’t tell you what you’re supposed to do when it’s over.” She relaxed her grip on the copper handles inside her chamber, her visible gears going slightly slack down her arm toward her shoulder, the teeth just a bit looser. The worker took that as a good sign. She quickly tamped down her encouragement, in case Wanda saw.

“There are always retrospectives,” the woman said. “You know, ‘Best ofs.’ And there’s still plenty to do in the first few months, while people are getting adjusted. You know, rent checks, 18-month calendars, that kind of thing.”

“And then what?” said Wanda. “Then what happens? Where do I go? What do I do?”

“I’m so glad you asked,” the woman said, finally able to return to her script. “You see, we have this lovely facility, all of you go there, you know, when you’re finished. Here,” she slid a glossy folded paper from beneath the clip of her board and held it toward Wanda. “There’s even a brochure.”

The pictures were bright and multicolored, with others sitting and laughing, eating, strolling by the water, the patina of their clockwork innards glinting warmly in the setting sun. It didn’t look too bad. She nearly let go of the handle to take the brochure, to open it, to see what kind of crafts there were, as promised on the cover, when she remembered.

“No,” she said.

“Wanda,” said the woman, her tone sharpening, gaining hardness around the edges, “I’m afraid you haven’t got a choice. It’s time.”

She shook her head as much as the chamber allowed, which wasn’t much. “I’m not going.”

“But what are we supposed to do with him?” She pointed her pen at the baby, who turned, stared at them and burst into a full beam, his tiny gears engaging as he reached his arms toward Wanda. “It’s his turn now. Don’t you want to give him his turn?”

Wanda closed her eyes. It wasn’t fair, she thought. It went by so quickly, her lifetime of usefulness, her purpose, and now she was supposed to retire off with the rest of them, with some anonymous body of water and a dining hall and crafts. Though crafts are nice. But still, this was her machine, it was hers.

The worker had moved away, but she could hear her talking softly, her sentences interspersed with the cluck of her two-way handheld.

“No, no, I’m telling you it didn’t work.” Something unintelligible garbled through from the other side. “No. Clamped on, completely. Like a vice.” Again, soft electronic murmuring. “It’s like Oh-Three all over again.” More garble. “What? She can’t hear me. I’m away from the chamber.” Indistinct chatter. “Fine, fine, Trinity. Like Trinity all over again.” She waited for the response. “That would probably be best.” After a long interlude of murmur, the handheld fell silent.

“Umm, Wanda?” said the worker several minutes later, the ice in her voice retreating. “I’d like you to meet someone.”

“Not interested,” she said, her eyes still closed. She knew the truth, the worker had practically said so herself, with the conversation she thought Wanda couldn’t hear. She was only a number to those people. Oh-Three indeed. “What do you call me when you’re out of the lab?” she said, her eyes still completely shut. “When you’re talking to your buddy over there at lunch or wherever it is you go?”

“Wanda,” the woman said, her discomfort obvious even to Wanda and her closed eyes.

“What do you call me? One-One?”

“Wanda, really, there’s someone here you should meet-“

“Or Eleven? Do you call me Eleven? A number to you, that’s what I am after all this time.”

“I thought she couldn’t hear,” she said to someone, though Wanda wasn’t going to bother to open her eyes to see who it was. “I swear, I wouldn’t have used the technical–“

“Technical?” said another voice, a new voice, a male voice. “Technical? Really? Is that how you’re describing it?”

“Well-“

“Her name is Wanda, you know,” he said, his tone both relaxed and oddly engaging despite the rebuke. Wanda couldn’t help herself, she opened her eyes a crack.

“I’m Oden,” he said with a half-smile. “I’d shake your hand, but I understand your position. Obviously,” he said. His gears were slightly rainbowed with a healthy dose of age. Wanda thought they made him look distinguished.

“Oden,” she said. “So I?”

“Replaced me, yes.” He took a step toward the chamber, careful to keep a distance. “Flip of the switch and it was me in there. And you over there,” he said, and smiled at the baby, a real smile, not a put-on one.

“What did you do?”

“I went,” he said. “It was time. It’s how it works, you know.”

“I know,” she said, looking at her feet, so comfortable in the only spot they’d ever known. She glanced up and met his gaze. “I know,” she said again.

“The place really looks like the brochure,” he said, offering her his hand to help her to step out. She considered it, but didn’t lessen her grip on the handle.

“What about the crafts?”

He took the hand he’d been holding out and dug into his pocket, his gears gliding smoothly along. He pulled out a wallet. “I made this,” he said. “Stitched it myself.” She took in the uneven stitches and frowned. “I’m not a very good crafter,” he added quickly, “but they are fun to try.”

“Hmm,” said Wanda. She glanced at the worker who looked at the clock on the wall and back at Wanda, her face full of cautious hope. Oden set out his hand again.

“The sunsets are every bit as pretty,” he said, “and the best part is there are no more dials, no more levers. No more chamber.”

“But I like the chamber,” she said, scooting back to be further back within it.

“You like the chamber,” he said, “because all you know is the chamber. Take a leap.”

“No, no,” said the worker, “that’s him.” She pointed at the baby.

“You understand you’re not helping the situation?” Oden asked her.

“I do, yes, realize that now.”

“So what do you say, Wanda?”

She gave her chamber and the lab a final look over. She could probably make a better wallet. She could certainly make a better wallet. Maybe they’ll have pottery. Slowly, she released first her right hand and then her left, and placed it in Oden’s outstretched palm. The machine beeped behind her while the worker anxiously watched the clock, the man with the baby leaning, ready to place him.

She stepped out of the machine.

The woman grasped a crank on the side of the box and turned it furiously so that the chamber got smaller and smaller and the arms shorter and shorter. The man, watching the clock rather than her or the baby, placed the baby where she had been moments before but where she would never fit now. The baby giggled.

Without looking back, Wanda took Oden’s arm, and together, they headed toward the door. They reached it and disappeared into the flash of sudden white light.

The worker leaned against the machine, her hands shaking. “Happy New Year, everyone,” she said weakly.


Check out  my full-length novels: 
Aunty Ida’s Full-Service Mental Institution (by Invitation Only)   
Aunty Ida’s Holey Amazing Sleeping Preparation (Not Doctor Recommended) 
Her Cousin Much Removed
The Great Paradox and the Innies and Outies of Time Management.
And download Better Living Through GRAVY and Other Oddities, it’s quick and weird and FREE!
Peruse Montraps Publishing
See what I’m writing on Medium.

#MondayThoughts: Why not?

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Well here we are, 2022. What a strange place to be.

I’ve decided I want more yoga in my life, and after years of trying to figure out how to fit it in, I’ve changed my approach to exercise so I can have as much as I want. Maybe I’ll spend more time on fitness than I did before, but why not?

Why not?

I’m doing Yoga With Adriene’s 30 Day MOVE series. Day 2 done and I’m absolutely loving it.

So this is my offering to you, hypothetical reader: take that thing in the back of your mind this year, that thing you want more of but cannot seem to figure out how to make it work into your schedule.

And make it first.

Do that one thing for yourself, and prioritize it as important and not as an add-in if only you could find the time. Let’s take this wildly in the future year and take care of ourselves.

Let our feelings about things matter. Let what appeals to us matter.

There’s no better time than today. It’s January, the world is changing and so can we.


Check out  my full-length novels: 
Aunty Ida’s Full-Service Mental Institution (by Invitation Only)   
Aunty Ida’s Holey Amazing Sleeping Preparation (Not Doctor Recommended) 
Her Cousin Much Removed
The Great Paradox and the Innies and Outies of Time Management.
And download Better Living Through GRAVY and Other Oddities, it’s quick and weird and FREE!
Peruse Montraps Publishing
See what I’m writing on Medium.

#FridayThoughts: #HappyNewYear! And now, “In with the Old”

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Wow, posting my annual New Year’s Eve story, I looked at my intro from last year, and as surprised as I was by the Year We Shall Not Name, 2021 held some very sad surprises. Still, hope always springs on December 31.

In any case, I hope you enjoy the story, whether it’s your first read or now a habit for you as well, and I wish you a 2022 that makes up for all of the wear, tear and hard times behind us. Here’s to happiness, hope, prosperity and health in the new year!

And, in what is now firmly a tradition, here is a short story from my collection, Better Living Through Gravy and Other Oddities:

In with the Old

“It’s nothing personal,” she said as kindly as she could muster, “it’s just time.”

“But I’m not nearly as used up as they said I would be,” the other one said, “not nearly at all. I’m not wrinkly, or old – I’m kind of in prime time.” She gave herself an once-over, careful not to break her bond with the contraption behind her.

“Unfortunately, we really need the machine.” She sighed and tapped her pen on her clipboard. “We only have a few more hours.”

“We?” said the woman in the machine. “We only have a few more hours? You’re going to install that thing,” she gestured with her head toward the giggling baby making faces at the man in the white coat at the other end of the room, “and go on with your routine. You think don’t have it down by now? Daily dial turnings, just one click. Then you, with that pretend-serious look, yanking that lever. You think I didn’t notice you enjoy those lever pulls? Well I did. And you do.”

“Now come on, Wanda, there’s no need to be this way. You can go out with dignity.” She shot a look across the room to her coworker. He was too enthralled with the baby to get her message for a little help.

“What am I supposed to do now? I was huge, I was everything.”

“You’re sounding like a bad movie.”

“They don’t tell you what you’re supposed to do when it’s over.” She relaxed her grip on the copper handles inside her chamber, her visible gears going slightly slack down her arm toward her shoulder, the teeth just a bit looser. The worker took that as a good sign. She quickly tamped down her encouragement, in case Wanda saw.

“There are always retrospectives,” the woman said. “You know, ‘Best ofs.’ And there’s still plenty to do in the first few months, while people are getting adjusted. You know, rent checks, 18-month calendars, that kind of thing.”

“And then what?” said Wanda. “Then what happens? Where do I go? What do I do?”

“I’m so glad you asked,” the woman said, finally able to return to her script. “You see, we have this lovely facility, all of you go there, you know, when you’re finished. Here,” she slid a glossy folded paper from beneath the clip of her board and held it toward Wanda. “There’s even a brochure.”

The pictures were bright and multicolored, with others sitting and laughing, eating, strolling by the water, the patina of their clockwork innards glinting warmly in the setting sun. It didn’t look too bad. She nearly let go of the handle to take the brochure, to open it, to see what kind of crafts there were, as promised on the cover, when she remembered.

“No,” she said.

“Wanda,” said the woman, her tone sharpening, gaining hardness around the edges, “I’m afraid you haven’t got a choice. It’s time.”

She shook her head as much as the chamber allowed, which wasn’t much. “I’m not going.”

“But what are we supposed to do with him?” She pointed her pen at the baby, who turned, stared at them and burst into a full beam, his tiny gears engaging as he reached his arms toward Wanda. “It’s his turn now. Don’t you want to give him his turn?”

Wanda closed her eyes. It wasn’t fair, she thought. It went by so quickly, her lifetime of usefulness, her purpose, and now she was supposed to retire off with the rest of them, with some anonymous body of water and a dining hall and crafts. Though crafts are nice. But still, this was her machine, it was hers.

The worker had moved away, but she could hear her talking softly, her sentences interspersed with the cluck of her two-way handheld.

“No, no, I’m telling you it didn’t work.” Something unintelligible garbled through from the other side. “No. Clamped on, completely. Like a vice.” Again, soft electronic murmuring. “It’s like Oh-Three all over again.” More garble. “What? She can’t hear me. I’m away from the chamber.” Indistinct chatter. “Fine, fine, Trinity. Like Trinity all over again.” She waited for the response. “That would probably be best.” After a long interlude of murmur, the handheld fell silent.

“Umm, Wanda?” said the worker several minutes later, the ice in her voice retreating. “I’d like you to meet someone.”

“Not interested,” she said, her eyes still closed. She knew the truth, the worker had practically said so herself, with the conversation she thought Wanda couldn’t hear. She was only a number to those people. Oh-Three indeed. “What do you call me when you’re out of the lab?” she said, her eyes still completely shut. “When you’re talking to your buddy over there at lunch or wherever it is you go?”

“Wanda,” the woman said, her discomfort obvious even to Wanda and her closed eyes.

“What do you call me? One-One?”

“Wanda, really, there’s someone here you should meet-“

“Or Eleven? Do you call me Eleven? A number to you, that’s what I am after all this time.”

“I thought she couldn’t hear,” she said to someone, though Wanda wasn’t going to bother to open her eyes to see who it was. “I swear, I wouldn’t have used the technical–“

“Technical?” said another voice, a new voice, a male voice. “Technical? Really? Is that how you’re describing it?”

“Well-“

“Her name is Wanda, you know,” he said, his tone both relaxed and oddly engaging despite the rebuke. Wanda couldn’t help herself, she opened her eyes a crack.

“I’m Oden,” he said with a half-smile. “I’d shake your hand, but I understand your position. Obviously,” he said. His gears were slightly rainbowed with a healthy dose of age. Wanda thought they made him look distinguished.

“Oden,” she said. “So I?”

“Replaced me, yes.” He took a step toward the chamber, careful to keep a distance. “Flip of the switch and it was me in there. And you over there,” he said, and smiled at the baby, a real smile, not a put-on one.

“What did you do?”

“I went,” he said. “It was time. It’s how it works, you know.”

“I know,” she said, looking at her feet, so comfortable in the only spot they’d ever known. She glanced up and met his gaze. “I know,” she said again.

“The place really looks like the brochure,” he said, offering her his hand to help her to step out. She considered it, but didn’t lessen her grip on the handle.

“What about the crafts?”

He took the hand he’d been holding out and dug into his pocket, his gears gliding smoothly along. He pulled out a wallet. “I made this,” he said. “Stitched it myself.” She took in the uneven stitches and frowned. “I’m not a very good crafter,” he added quickly, “but they are fun to try.”

“Hmm,” said Wanda. She glanced at the worker who looked at the clock on the wall and back at Wanda, her face full of cautious hope. Oden set out his hand again.

“The sunsets are every bit as pretty,” he said, “and the best part is there are no more dials, no more levers. No more chamber.”

“But I like the chamber,” she said, scooting back to be further back within it.

“You like the chamber,” he said, “because all you know is the chamber. Take a leap.”

“No, no,” said the worker, “that’s him.” She pointed at the baby.

“You understand you’re not helping the situation?” Oden asked her.

“I do, yes, realize that now.”

“So what do you say, Wanda?”

She gave her chamber and the lab a final look over. She could probably make a better wallet. She could certainly make a better wallet. Maybe they’ll have pottery. Slowly, she released first her right hand and then her left, and placed it in Oden’s outstretched palm. The machine beeped behind her while the worker anxiously watched the clock, the man with the baby leaning, ready to place him.

She stepped out of the machine.

The woman grasped a crank on the side of the box and turned it furiously so that the chamber got smaller and smaller and the arms shorter and shorter. The man, watching the clock rather than her or the baby, placed the baby where she had been moments before but where she would never fit now. The baby giggled.

Without looking back, Wanda took Oden’s arm, and together, they headed toward the door. They reached it and disappeared into the flash of sudden white light.

The worker leaned against the machine, her hands shaking. “Happy New Year, everyone,” she said weakly.


Like my political side? Read my opinion pieces here.
Check out  my full-length novels: 
Aunty Ida’s Full-Service Mental Institution (by Invitation Only)   
Aunty Ida’s Holey Amazing Sleeping Preparation (Not Doctor Recommended) 
Her Cousin Much Removed
The Great Paradox and the Innies and Outies of Time Management.
And download Better Living Through GRAVY and Other Oddities, it’s quick and weird!
Peruse Montraps Publishing

#FridayThoughts: #Happy2021! And now, “In with the Old”

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Yikes, looking back at last year’s post, there’s so much I didn’t see coming, even as jaded as I was after three years. And now I’m extra happy to see it that year go. So much so, it almost gives this story I post every year a whole different feel.

In any case, I hope you enjoy it, and I wish you great happiness, prosperity, joy, productivity, and above all, health, in 2021.

And, in what is now firmly a tradition, here is a short story from my collection, Better Living Through Gravy and Other Oddities:

In with the Old

“It’s nothing personal,” she said as kindly as she could muster, “it’s just time.”

“But I’m not nearly as used up as they said I would be,” the other one said, “not nearly at all. I’m not wrinkly, or old – I’m kind of in prime time.” She gave herself an once-over, careful not to break her bond with the contraption behind her.

“Unfortunately, we really need the machine.” She sighed and tapped her pen on her clipboard. “We only have a few more hours.”

“We?” said the woman in the machine. “We only have a few more hours? You’re going to install that thing,” she gestured with her head toward the giggling baby making faces at the man in the white coat at the other end of the room, “and go on with your routine. You think don’t have it down by now? Daily dial turnings, just one click. Then you, with that pretend-serious look, yanking that lever. You think I didn’t notice you enjoy those lever pulls? Well I did. And you do.”

“Now come on, Wanda, there’s no need to be this way. You can go out with dignity.” She shot a look across the room to her coworker. He was too enthralled with the baby to get her message for a little help.

“What am I supposed to do now? I was huge, I was everything.”

“You’re sounding like a bad movie.”

“They don’t tell you what you’re supposed to do when it’s over.” She relaxed her grip on the copper handles inside her chamber, her visible gears going slightly slack down her arm toward her shoulder, the teeth just a bit looser. The worker took that as a good sign. She quickly tamped down her encouragement, in case Wanda saw.

“There are always retrospectives,” the woman said. “You know, ‘Best ofs.’ And there’s still plenty to do in the first few months, while people are getting adjusted. You know, rent checks, 18-month calendars, that kind of thing.”

“And then what?” said Wanda. “Then what happens? Where do I go? What do I do?”

“I’m so glad you asked,” the woman said, finally able to return to her script. “You see, we have this lovely facility, all of you go there, you know, when you’re finished. Here,” she slid a glossy folded paper from beneath the clip of her board and held it toward Wanda. “There’s even a brochure.”

The pictures were bright and multicolored, with others sitting and laughing, eating, strolling by the water, the patina of their clockwork innards glinting warmly in the setting sun. It didn’t look too bad. She nearly let go of the handle to take the brochure, to open it, to see what kind of crafts there were, as promised on the cover, when she remembered.

“No,” she said.

“Wanda,” said the woman, her tone sharpening, gaining hardness around the edges, “I’m afraid you haven’t got a choice. It’s time.”

She shook her head as much as the chamber allowed, which wasn’t much. “I’m not going.”

“But what are we supposed to do with him?” She pointed her pen at the baby, who turned, stared at them and burst into a full beam, his tiny gears engaging as he reached his arms toward Wanda. “It’s his turn now. Don’t you want to give him his turn?”

Wanda closed her eyes. It wasn’t fair, she thought. It went by so quickly, her lifetime of usefulness, her purpose, and now she was supposed to retire off with the rest of them, with some anonymous body of water and a dining hall and crafts. Though crafts are nice. But still, this was her machine, it was hers.

The worker had moved away, but she could hear her talking softly, her sentences interspersed with the cluck of her two-way handheld.

“No, no, I’m telling you it didn’t work.” Something unintelligible garbled through from the other side. “No. Clamped on, completely. Like a vice.” Again, soft electronic murmuring. “It’s like Oh-Three all over again.” More garble. “What? She can’t hear me. I’m away from the chamber.” Indistinct chatter. “Fine, fine, Trinity. Like Trinity all over again.” She waited for the response. “That would probably be best.” After a long interlude of murmur, the handheld fell silent.

“Umm, Wanda?” said the worker several minutes later, the ice in her voice retreating. “I’d like you to meet someone.”

“Not interested,” she said, her eyes still closed. She knew the truth, the worker had practically said so herself, with the conversation she thought Wanda couldn’t hear. She was only a number to those people. Oh-Three indeed. “What do you call me when you’re out of the lab?” she said, her eyes still completely shut. “When you’re talking to your buddy over there at lunch or wherever it is you go?”

“Wanda,” the woman said, her discomfort obvious even to Wanda and her closed eyes.

“What do you call me? One-One?”

“Wanda, really, there’s someone here you should meet-“

“Or Eleven? Do you call me Eleven? A number to you, that’s what I am after all this time.”

“I thought she couldn’t hear,” she said to someone, though Wanda wasn’t going to bother to open her eyes to see who it was. “I swear, I wouldn’t have used the technical–“

“Technical?” said another voice, a new voice, a male voice. “Technical? Really? Is that how you’re describing it?”

“Well-“

“Her name is Wanda, you know,” he said, his tone both relaxed and oddly engaging despite the rebuke. Wanda couldn’t help herself, she opened her eyes a crack.

“I’m Oden,” he said with a half-smile. “I’d shake your hand, but I understand your position. Obviously,” he said. His gears were slightly rainbowed with a healthy dose of age. Wanda thought they made him look distinguished.

“Oden,” she said. “So I?”

“Replaced me, yes.” He took a step toward the chamber, careful to keep a distance. “Flip of the switch and it was me in there. And you over there,” he said, and smiled at the baby, a real smile, not a put-on one.

“What did you do?”

“I went,” he said. “It was time. It’s how it works, you know.”

“I know,” she said, looking at her feet, so comfortable in the only spot they’d ever known. She glanced up and met his gaze. “I know,” she said again.

“The place really looks like the brochure,” he said, offering her his hand to help her to step out. She considered it, but didn’t lessen her grip on the handle.

“What about the crafts?”

He took the hand he’d been holding out and dug into his pocket, his gears gliding smoothly along. He pulled out a wallet. “I made this,” he said. “Stitched it myself.” She took in the uneven stitches and frowned. “I’m not a very good crafter,” he added quickly, “but they are fun to try.”

“Hmm,” said Wanda. She glanced at the worker who looked at the clock on the wall and back at Wanda, her face full of cautious hope. Oden set out his hand again.

“The sunsets are every bit as pretty,” he said, “and the best part is there are no more dials, no more levers. No more chamber.”

“But I like the chamber,” she said, scooting back to be further back within it.

“You like the chamber,” he said, “because all you know is the chamber. Take a leap.”

“No, no,” said the worker, “that’s him.” She pointed at the baby.

“You understand you’re not helping the situation?” Oden asked her.

“I do, yes, realize that now.”

“So what do you say, Wanda?”

She gave her chamber and the lab a final look over. She could probably make a better wallet. She could certainly make a better wallet. Maybe they’ll have pottery. Slowly, she released first her right hand and then her left, and placed it in Oden’s outstretched palm. The machine beeped behind her while the worker anxiously watched the clock, the man with the baby leaning, ready to place him.

She stepped out of the machine.

The woman grasped a crank on the side of the box and turned it furiously so that the chamber got smaller and smaller and the arms shorter and shorter. The man, watching the clock rather than her or the baby, placed the baby where she had been moments before but where she would never fit now. The baby giggled.

Without looking back, Wanda took Oden’s arm, and together, they headed toward the door. They reached it and disappeared into the flash of sudden white light.

The worker leaned against the machine, her hands shaking. “Happy New Year, everyone,” she said weakly.


Like my political side? Read my opinion pieces here.
Check out  my full-length novels: 
Aunty Ida’s Full-Service Mental Institution (by Invitation Only)   
Aunty Ida’s Holey Amazing Sleeping Preparation (Not Doctor Recommended) 
Her Cousin Much Removed
The Great Paradox and the Innies and Outies of Time Management.
And download Better Living Through GRAVY and Other Oddities, it’s quick and weird!
Peruse Montraps Publishing

#HappyNewYear: Why Hello There 2020!

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It’s almost not 2019 anymore, a year that looks so modern, so in the future, but sixty years from now will look as old-fashioned as a Model-T and women just securing the vote.

Maybe.

On to 2020, the most futuristic-sounding year yet. Funny how they all feel that way at first.

And, in what is now firmly a tradition, here is a short story from my collection, Better Living Through Gravy and Other Oddities:

In with the Old

“It’s nothing personal,” she said as kindly as she could muster, “it’s just time.”

“But I’m not nearly as used up as they said I would be,” the other one said, “not nearly at all. I’m not wrinkly, or old – I’m kind of in prime time.” She gave herself an once-over, careful not to break her bond with the contraption behind her.

“Unfortunately, we really need the machine.” She sighed and tapped her pen on her clipboard. “We only have a few more hours.”

“We?” said the woman in the machine. “We only have a few more hours? You’re going to install that thing,” she gestured with her head toward the giggling baby making faces at the man in the white coat at the other end of the room, “and go on with your routine. You think don’t have it down by now? Daily dial turnings, just one click. Then you, with that pretend-serious look, yanking that lever. You think I didn’t notice you enjoy those lever pulls? Well I did. And you do.”

“Now come on, Wanda, there’s no need to be this way. You can go out with dignity.” She shot a look across the room to her coworker. He was too enthralled with the baby to get her message for a little help.

“What am I supposed to do now? I was huge, I was everything.”

“You’re sounding like a bad movie.”

“They don’t tell you what you’re supposed to do when it’s over.” She relaxed her grip on the copper handles inside her chamber, her visible gears going slightly slack down her arm toward her shoulder, the teeth just a bit looser. The worker took that as a good sign. She quickly tamped down her encouragement, in case Wanda saw.

“There are always retrospectives,” the woman said. “You know, ‘Best ofs.’ And there’s still plenty to do in the first few months, while people are getting adjusted. You know, rent checks, 18-month calendars, that kind of thing.”

“And then what?” said Wanda. “Then what happens? Where do I go? What do I do?”

“I’m so glad you asked,” the woman said, finally able to return to her script. “You see, we have this lovely facility, all of you go there, you know, when you’re finished. Here,” she slid a glossy folded paper from beneath the clip of her board and held it toward Wanda. “There’s even a brochure.”

The pictures were bright and multicolored, with others sitting and laughing, eating, strolling by the water, the patina of their clockwork innards glinting warmly in the setting sun. It didn’t look too bad. She nearly let go of the handle to take the brochure, to open it, to see what kind of crafts there were, as promised on the cover, when she remembered.

“No,” she said.

“Wanda,” said the woman, her tone sharpening, gaining hardness around the edges, “I’m afraid you haven’t got a choice. It’s time.”

She shook her head as much as the chamber allowed, which wasn’t much. “I’m not going.”

“But what are we supposed to do with him?” She pointed her pen at the baby, who turned, stared at them and burst into a full beam, his tiny gears engaging as he reached his arms toward Wanda. “It’s his turn now. Don’t you want to give him his turn?”

Wanda closed her eyes. It wasn’t fair, she thought. It went by so quickly, her lifetime of usefulness, her purpose, and now she was supposed to retire off with the rest of them, with some anonymous body of water and a dining hall and crafts. Though crafts are nice. But still, this was her machine, it was hers.

The worker had moved away, but she could hear her talking softly, her sentences interspersed with the cluck of her two-way handheld.

“No, no, I’m telling you it didn’t work.” Something unintelligible garbled through from the other side. “No. Clamped on, completely. Like a vice.” Again, soft electronic murmuring. “It’s like Oh-Three all over again.” More garble. “What? She can’t hear me. I’m away from the chamber.” Indistinct chatter. “Fine, fine, Trinity. Like Trinity all over again.” She waited for the response. “That would probably be best.” After a long interlude of murmur, the handheld fell silent.

“Umm, Wanda?” said the worker several minutes later, the ice in her voice retreating. “I’d like you to meet someone.”

“Not interested,” she said, her eyes still closed. She knew the truth, the worker had practically said so herself, with the conversation she thought Wanda couldn’t hear. She was only a number to those people. Oh-Three indeed. “What do you call me when you’re out of the lab?” she said, her eyes still completely shut. “When you’re talking to your buddy over there at lunch or wherever it is you go?”

“Wanda,” the woman said, her discomfort obvious even to Wanda and her closed eyes.

“What do you call me? One-One?”

“Wanda, really, there’s someone here you should meet-“

“Or Eleven? Do you call me Eleven? A number to you, that’s what I am after all this time.”

“I thought she couldn’t hear,” she said to someone, though Wanda wasn’t going to bother to open her eyes to see who it was. “I swear, I wouldn’t have used the technical–“

“Technical?” said another voice, a new voice, a male voice. “Technical? Really? Is that how you’re describing it?”

“Well-“

“Her name is Wanda, you know,” he said, his tone both relaxed and oddly engaging despite the rebuke. Wanda couldn’t help herself, she opened her eyes a crack.

“I’m Oden,” he said with a half-smile. “I’d shake your hand, but I understand your position. Obviously,” he said. His gears were slightly rainbowed with a healthy dose of age. Wanda thought they made him look distinguished.

“Oden,” she said. “So I?”

“Replaced me, yes.” He took a step toward the chamber, careful to keep a distance. “Flip of the switch and it was me in there. And you over there,” he said, and smiled at the baby, a real smile, not a put-on one.

“What did you do?”

“I went,” he said. “It was time. It’s how it works, you know.”

“I know,” she said, looking at her feet, so comfortable in the only spot they’d ever known. She glanced up and met his gaze. “I know,” she said again.

“The place really looks like the brochure,” he said, offering her his hand to help her to step out. She considered it, but didn’t lessen her grip on the handle.

“What about the crafts?”

He took the hand he’d been holding out and dug into his pocket, his gears gliding smoothly along. He pulled out a wallet. “I made this,” he said. “Stitched it myself.” She took in the uneven stitches and frowned. “I’m not a very good crafter,” he added quickly, “but they are fun to try.”

“Hmm,” said Wanda. She glanced at the worker who looked at the clock on the wall and back at Wanda, her face full of cautious hope. Oden set out his hand again.

“The sunsets are every bit as pretty,” he said, “and the best part is there are no more dials, no more levers. No more chamber.”

“But I like the chamber,” she said, scooting back to be further back within it.

“You like the chamber,” he said, “because all you know is the chamber. Take a leap.”

“No, no,” said the worker, “that’s him.” She pointed at the baby.

“You understand you’re not helping the situation?” Oden asked her.

“I do, yes, realize that now.”

“So what do you say, Wanda?”

She gave her chamber and the lab a final look over. She could probably make a better wallet. She could certainly make a better wallet. Maybe they’ll have pottery. Slowly, she released first her right hand and then her left, and placed it in Oden’s outstretched palm. The machine beeped behind her while the worker anxiously watched the clock, the man with the baby leaning, ready to place him.

She stepped out of the machine.

The woman grasped a crank on the side of the box and turned it furiously so that the chamber got smaller and smaller and the arms shorter and shorter. The man, watching the clock rather than her or the baby, placed the baby where she had been moments before but where she would never fit now. The baby giggled.

Without looking back, Wanda took Oden’s arm, and together, they headed toward the door. They reached it and disappeared into the flash of sudden white light.

The worker leaned against the machine, her hands shaking. “Happy New Year, everyone,” she said weakly.


Like my political side? Read my opinion pieces here.
Check out  my full-length novels: 
Aunty Ida’s Full-Service Mental Institution (by Invitation Only)   
Aunty Ida’s Holey Amazing Sleeping Preparation (Not Doctor Recommended) 
Her Cousin Much Removed
The Great Paradox and the Innies and Outies of Time Management.
And download Better Living Through GRAVY and Other Oddities, it’s quick and weird!
Peruse Montraps Publishing

#MondayThoughts: Done

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So many things are done. All those scarves I decided for some reason it was a good idea to make. Probably that weird warm streak we’ve been having.

The year.

So bizarre that the year is done, I feel like I’ve zapped forward in time, to exactly the same spot a year later, this year a blur.

Though I have the blog posts to prove the days happened. Unless somehow I wrote them all at once and that’s just not likely.

Possible, maybe, but not likely.

Regardless, here we are, on the cusp of things being finished.

Before they start anew.

Have a safe New Year’s Eve, and a wonderful, happy, and productive New Year. There will be some annual fun (GET IT? ANNUAL???) tomorrow!


Check out  my full-length novels: 
Aunty Ida’s Full-Service Mental Institution (by Invitation Only)   
Aunty Ida’s Holey Amazing Sleeping Preparation (Not Doctor Recommended) 
Her Cousin Much Removed
The Great Paradox and the Innies and Outies of Time Management.
And download Better Living Through GRAVY and Other Oddities, it’s quick and weird and FREE!
Peruse Montraps Publishing
See what I’m writing on Medium.

In with the Old

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By ItsLassieTime (Self; from item in my collections) [Public domain], via Wikimedia Commons

This short story is from my collection, Better Living Through GRAVY and Other Odditiesavailable for free. Seems appropriate for this time of year!

Happy New Year, all!

In with the Old

“It’s nothing personal,” she said as kindly as she could muster, “it’s just time.”

“But I’m not nearly as used up as they said I would be,” the other one said, “not nearly at all. I’m not wrinkly, or old – I’m kind of in prime time.” She gave herself an once-over, careful not to break her bond with the contraption behind her.

“Unfortunately, we really need the machine.” She sighed and tapped her pen on her clipboard. “We only have a few more hours.”

“We?” said the woman in the machine. “We only have a few more hours? You’re going to install that thing,” she gestured with her head toward the giggling baby making faces at the man in the white coat at the other end of the room, “and go on with your routine. You think don’t have it down by now? Daily dial turnings, just one click. Then you, with that pretend-serious look, yanking that lever. You think I didn’t notice you enjoy those lever pulls? Well I did. And you do.”

“Now come on, Wanda, there’s no need to be this way. You can go out with dignity.” She shot a look across the room to her coworker. He was too enthralled with the baby to get her message for a little help.

“What am I supposed to do now? I was huge, I was everything.”

“You’re sounding like a bad movie.”

“They don’t tell you what you’re supposed to do when it’s over.” She relaxed her grip on the copper handles inside her chamber, her visible gears going slightly slack down her arm toward her shoulder, the teeth just a bit looser. The worker took that as a good sign. She quickly tamped down her encouragement, in case Wanda saw.

“There are always retrospectives,” the woman said. “You know, ‘Best ofs.’ And there’s still plenty to do in the first few months, while people are getting adjusted. You know, rent checks, 18-month calendars, that kind of thing.”

“And then what?” said Wanda. “Then what happens? Where do I go? What do I do?”

“I’m so glad you asked,” the woman said, finally able to return to her script. “You see, we have this lovely facility, all of you go there, you know, when you’re finished. Here,” she slid a glossy folded paper from beneath the clip of her board and held it toward Wanda. “There’s even a brochure.”

The pictures were bright and multicolored, with others sitting and laughing, eating, strolling by the water, the patina of their clockwork innards glinting warmly in the setting sun. It didn’t look too bad. She nearly let go of the handle to take the brochure, to open it, to see what kind of crafts there were, as promised on the cover, when she remembered.

“No,” she said.

“Wanda,” said the woman, her tone sharpening, gaining hardness around the edges, “I’m afraid you haven’t got a choice. It’s time.”

She shook her head as much as the chamber allowed, which wasn’t much. “I’m not going.”

“But what are we supposed to do with him?” She pointed her pen at the baby, who turned, stared at them and burst into a full beam, his tiny gears engaging as he reached his arms toward Wanda. “It’s his turn now. Don’t you want to give him his turn?”

Wanda closed her eyes. It wasn’t fair, she thought. It went by so quickly, her lifetime of usefulness, her purpose, and now she was supposed to retire off with the rest of them, with some anonymous body of water and a dining hall and crafts. Though crafts are nice. But still, this was her machine, it was hers.

The worker had moved away, but she could hear her talking softly, her sentences interspersed with the cluck of her two-way handheld.

“No, no, I’m telling you it didn’t work.” Something unintelligible garbled through from the other side. “No. Clamped on, completely. Like a vice.” Again, soft electronic murmuring. “It’s like Oh-Three all over again.” More garble. “What? She can’t hear me. I’m away from the chamber.” Indistinct chatter. “Fine, fine, Trinity. Like Trinity all over again.” She waited for the response. “That would probably be best.” After a long interlude of murmur, the handheld fell silent.

“Umm, Wanda?” said the worker several minutes later, the ice in her voice retreating. “I’d like you to meet someone.”

“Not interested,” she said, her eyes still closed. She knew the truth, the worker had practically said so herself, with the conversation she thought Wanda couldn’t hear. She was only a number to those people. Oh-Three indeed. “What do you call me when you’re out of the lab?” she said, her eyes still completely shut. “When you’re talking to your buddy over there at lunch or wherever it is you go?”

“Wanda,” the woman said, her discomfort obvious even to Wanda and her closed eyes.

“What do you call me? One-One?”

“Wanda, really, there’s someone here you should meet-”

“Or Eleven? Do you call me Eleven? A number to you, that’s what I am after all this time.”

“I thought she couldn’t hear,” she said to someone, though Wanda wasn’t going to bother to open her eyes to see who it was. “I swear, I wouldn’t have used the technical–”

“Technical?” said another voice, a new voice, a male voice. “Technical? Really? Is that how you’re describing it?”

“Well-”

“Her name is Wanda, you know,” he said, his tone both relaxed and oddly engaging despite the rebuke. Wanda couldn’t help herself, she opened her eyes a crack.

“I’m Oden,” he said with a half-smile. “I’d shake your hand, but I understand your position. Obviously,” he said. His gears were slightly rainbowed with a healthy dose of age. Wanda thought they made him look distinguished.

“Oden,” she said. “So I?”

“Replaced me, yes.” He took a step toward the chamber, careful to keep a distance. “Flip of the switch and it was me in there. And you over there,” he said, and smiled at the baby, a real smile, not a put-on one.

“What did you do?”

“I went,” he said. “It was time. It’s how it works, you know.”

“I know,” she said, looking at her feet, so comfortable in the only spot they’d ever known. She glanced up and met his gaze. “I know,” she said again.

“The place really looks like the brochure,” he said, offering her his hand to help her to step out. She considered it, but didn’t lessen her grip on the handle.

“What about the crafts?”

He took the hand he’d been holding out and dug into his pocket, his gears gliding smoothly along. He pulled out a wallet. “I made this,” he said. “Stitched it myself.” She took in the uneven stitches and frowned. “I’m not a very good crafter,” he added quickly, “but they are fun to try.”

“Hmm,” said Wanda. She glanced at the worker who looked at the clock on the wall and back at Wanda, her face full of cautious hope. Oden set out his hand again.

“The sunsets are every bit as pretty,” he said, “and the best part is there are no more dials, no more levers. No more chamber.”

“But I like the chamber,” she said, scooting back to be further back within it.

“You like the chamber,” he said, “because all you know is the chamber. Take a leap.”

“No, no,” said the worker, “that’s him.” She pointed at the baby.

“You understand you’re not helping the situation?” Oden asked her.

“I do, yes, realize that now.”

“So what do you say, Wanda?”

She gave her chamber and the lab a final look over. She could probably make a better wallet. She could certainly make a better wallet. Maybe they’ll have pottery. Slowly, she released first her right hand and then her left, and placed it in Oden’s outstretched palm. The machine beeped behind her while the worker anxiously watched the clock, the man with the baby leaning, ready to place him.

She stepped out of the machine.

The woman grasped a crank on the side of the box and turned it furiously so that the chamber got smaller and smaller and the arms shorter and shorter. The man, watching the clock rather than her or the baby, placed the baby where she had been moments before but where she would never fit now. The baby giggled.

Without looking back, Wanda took Oden’s arm, and together, they headed toward the door. They reached it and disappeared into the flash of sudden white light.

The worker leaned against the machine, her hands shaking. “Happy New Year, everyone,” she said weakly.

Check out my recaps of the hit new show “All My Traitors.” Recap of episode 2, “Lock Him Up” is available now!

Check out  my full-length novels: 

Aunty Ida’s Full-Service Mental Institution (by Invitation Only)   

Aunty Ida’s Holey Amazing Sleeping Preparation (Not Doctor Recommended) 

 Her Cousin Much Removed

 The Great Paradox and the Innies and Outies of Time Management.

And download Better Living Through GRAVY and Other Oddities, it’s free!

Peruse Montraps Publishing.

Time to Get this Year in Gear

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Hi there. Here we are, the start of the year, and the real start, not the days-that-are-still-vacation-days-days. The fifth of January. Can’t pretend it’s not real work time now, can we?

Even so, the fresh slate of a new year — not yet marked up by things we meant to do and didn’t, things we should have done but didn’t, and things we never should have done but did — is irresistible. Let’s think about it. From right here, in these early days of January, it’s all possible.

Usually some time around mid-February, the weight of reality tends to start pressing down, which is a heavy responsibility for such a short month, but we’re not there yet, are we? Nope, we’re here, the future year spread in front of us like a blanket of untouched, pristine snow.

Here’s the thing though. That snow is always going to have footsteps. Always. If it’s not the people tramping through in their boots, it’s the animals, the birds lightly scratching the surface; the larger four-legged creatures poking holes down into the drift.  The landscape cannot stay pure, it cannot stay unmarked, because an unmarked landscape is an empty landscape.

So let’s not see the beauty of this year for the temporary state that, by its nature, will fade. Let’s see it for what it will be: trodden and soggy, worn in and used up. Isn’t that what time is for?

Check out  my full-length novels,  Her Cousin Much Removed,  The Great Paradox and the Innies and Outies of Time Management and Aunty Ida’s Full-Service Mental Institution (by Invitation Only), and the sequel, Aunty Ida’s Holey Amazing Sleeping Preparation (Not Doctor Recommended) which will be available on January 7, 2015.

Sign up for my spamless newsletter. And download Better Living Through GRAVY and Other Oddities, it’s free!